פרסומים

הנהלת המכון

המכון לאמנויות | Institute of the Arts

פרסומים לשנת תש"ף Publications 2019–2020

החוג לתולדות האמנות | Art History

פרופ' זיוה עמישי-מייזליש |  Prof. Ziva Amishai-Maisels

 

Ziva Amishai-Maisels, "In Memoriam: Mira Friedman (1926-2016): Notes on Her Biography and Research," Ars Judaica, vol. 14, 2018, pp. 157-158.

Ziva Amishai-Maisels, "Jews in American Art: Social Concern vs. Anti-Semitism: Matthew Baigell, Social Concern and Left Politics in Jewish American Art 1880-1940; The Implacable Urge to Defame: Cartoon Jews in the American Press, 1877-1935", Ars Judaica, vol. 14, 2018, pp. 141-145.

Ziva Amishai-Maisels, "Jesus in Israeli Art: Amitai Mendelsohn, Behold the Man: Jesus in Israeli Art", Ars Judaica, vol. 14, 2018, pp. 146-149.

Ziva Amishai-Maisels, "Barasch: The Artist," in Christine Holste and Richard Faber, eds. Vom jüdischen Bilderverbot zur Gründung israelischer Kunstgeschichte: Zu Leben und Werk des Kunsthistorikers Moshe Barasch, Würzburg: Königshausen & Neumann, 2019, pp. 65-96
 

 

פרופ' טלי אורנן | Prof. Tallay Ornan

 

Tallay Ornan, 2019.  S. Weksler-Bdolah and B. Sass. “A ‘Governor of the City’ Seal Impression from the Western Wall Plaza Excavations in Jerusalem”, in H. Geva ed., Ancient Jerusalem Revealed. Archaeological Discoveries, 1998–2018. Jerusalem, 67–72.

 

Tallay Ornan, 2019. “Unfinished Business: The Relief on the Hammurabi Louvre Stele revisited”, Journal of Cuneiform Studies pp. 71, 85-109.

 

 

ד"ר תאופיק דעאדלה | Dr. Tawfiq Da’adli

 

דעאדלה, תאופיק, “ארכיאולוגיה קהילתית בעיר לוד,” המזרח החדש נו (2018). 189-194.

 

דעאדלה, תאופיק, “מפגש בין החיים למתים, בית הקברות ממילא על ציר עולי הרגל,” עת-מול 2019. 21-24.

 

Tawfiq Da’adli, Esoteric Images: Decoding the Late Herat School of Painting. Jerusalem Studies in Religion and Culture Series 25 (Leiden: Brill, 2019). 192 pages.

 

Tawfiq Da’adli and H. Barbe, "Excavations in the Suq al-Qattanin quarter, Jerusalem," in Hillel Giva (ed), Ancient Jerusalem revealed. 2019.

 

Tawfiq Da’adli, “Remains of Ottoman buildings in the city of al-Ludd,” Der Islam 96 (1): 158-189.

 

Tawfiq Da’adli , "The Palace of Sinnabra: The search for the Mosque of Mu'awiya," Bulletin of Max van Berchem Foundation, online.

https://maxvanberchem.org/fr/activites-scientifiques/projets/archeologie/8-francais/169-the-palace-of-innabra-the-search-for-the-mosque-of-mu-awiya

 

 

פרופ' גל ונטורה | Prof. Gal Ventura

 

Gal Ventura, 2018, Maternal Breastfeeding and Its Substitutes in 19th-Century French Art, Brill.

https://brill.com/view/title/38042?lang=en

 

Gal Ventura, 2018, "Pain as Resistance: Honoré Daumier's Excruciating Headache", Konsthistorisk tidskrift: Journal of Art History (February, 2018): 1-29.

https://www.academia.edu/35934564/Gal_Ventura_Pain_as_Resistance_Carnal_Suffering_and_Political_Protest_in_Honor%C3%A9_Daumiers_LImagination_Series_Konsthistorisk_tidskrift_Journal_of_Art_History_February_2018_1-29

 

Gal Ventura and Jonathan Ventura, 2018, "From Classic Content Analysis, to Multi-Faceted Design Research," SRMO, Sage Research Methods Cases, part 2 (March, 2018), 1-19.

https://www.academia.edu/36081171/From_Classic_Content_Analysis_to_Multi-Faceted_Design_Research

 

Gal Ventura and Jonathan Ventura, 2018, "Content Analysis: Multifaceted Design Methodology," The Bloomsbury Encyclopedia of Design (London: Bloomsbury Academic, online).

https://www.academia.edu/37593503/Ventura_Jonathan_and_Gal_Ventura_Content_Analysis_Multifaceted_Design_Methodology_The_Bloomsbury_Encyclopedia_of_Design_London_Bloomsbury_Academic_2018_online

 

Ventura, G. 'Ceci n'est pas un Berceau': The Majestic Cradle of Napoleon's Son. Journal of Design History (September, 2019), 323-339.

https://academic.oup.com/jdh/article-abstract/32/4/323/5575958?redirectedFrom=fulltext

 

 

פרופ' גלית נגה-בנאי | Prof. Galit Noga-Banai

 

H. Röckelein, G. Noga-Banai, and L. Pinchover (eds.) Devotional ‘Cross-Roads’: Practicing Love of God in Medieval Jerusalem, Gaul and Saxony (Göttingen: Göttingen University Press, 2019).

 

Galit Noga-Banai, “Strategien der Rahmung und Serialisierung in Architektur und Kunst im frühchristlichen Rom,” in: Rahmen – Frames: Definitions of Function in the Pre-Modern Era, edited by Daniela Wagner and Fridericke Conrad, Hamburger Forschungen zur Kunstgeschichte (Berlin: DeGruyter/Akademie Verlag, 2018), 79–94.

 

Galit Noga-Banai, “Visual Rhetoric of Early Christian Reliquaries,” in: The Oxford Handbook of Early Christian Archaeology, edited by William Caraher, Thomas Davis, and David K. Pettegrew (New York: Oxford University Press, 2018), 221–236.

 

Galit Noga-Banai, “Relocation to the West: The Relic of the True Cross in Poitiers,” in: East and West in the Early Middle Ages: The Merovingian Kingdoms in Mediterranean Perspective, edited by Stefan Esders, Yaniv Fox, Yitzhak Hen and Laury Sarti (Cambridge: Cambridge University Press, 2018), 189–201.

 

Galit Noga-Banai, “Architectural Frames for Reliquaries of the True Cross: Two Frankish Test Cases,” in Hedwig Röckelein, Galit Noga-Banai, and Lotem Pinchover (eds.) Devotional ‘Cross-Roads’: Practicing Love of God in Medieval Jerusalem, Gaul and Saxony (Göttingen: Göttingen University Press, 2019), forthcoming.

 

Galit Noga-Banai, “A Pre-altar Cross in Jerusalem? Visual Medievalism and Loca Sancta Realities in the Monastery of the Holy Cross,” Journal of Orthodox Christian Studies 1 (2018), 79­–102.

 

Galit Noga-Banai, “Mittelalterliche Kontinuitäten und gegenwärtige Ansprüche: Die Legende vom Kreuzesholz auf dem Neusilberkreuz im Jerusalemer Kreuzkloster,” in: Heilige. Bücher-Leiber-Orte. Das Heilige in Kunst, Kultur und Literatur vom Mittelalter bis zur Gegenwart. Festschrift für Bruno Reudenbach, edited by Hanna Wimmer and Daniela Wagner (Berlin: Reimer, 2018), 263–280.

 

Galit Noga-Banai, “Local Medievalism: Bernward's Doors, Hezilo's Chandelier, and the Memorial Fountain for the Synagogue at Lappenberg in Hildesheim,” Zeitschrift für Kunstgeschichte 82:2 (2019), 249–270.

 

 

ד"ר לולה קנטור-קזובסקי | Dr. Lola Kantor-Kazovsky

 

Lola Kantor-Kazovsky, “On the Trail of the Russian Avant-Garde: Independent Art in Russia since the 1960s,” in VICTORY OVER THE SUN: Russian Avant – Garde and Beyond, ed. Tanya Sirakovich, Israel Museum, Jerusalem, 2019, 217-235.

https://www.academia.edu/38524583/_On_the_Trail_of_the_Russian_Avant-Garde_Independent_Art_in_Russia_since_the_1960s_in_VICTORY_OVER_THE_SUN_Russian_Avant_Garde_and_Beyond_ed._Tanya_Sirakovich_Israel_Museum_Jerusalem_2019_217-235

 

 

פרופ' הגר סלמון | Prof. Hagar Salamon

 

Salamon, H. Remembering June 1967: The Rhetoric of Sincerity in a Twice-Told Story. Narrative Culture. 2020. Pp. 24-59

 

 

פרופ' שלום צבר |   Prof. Shalom Tsabar

 

שלום צבר, "כיצד נכנסה הח'מסה לבית הכנסת? גלגולי הח'מסה ביהדות ובתרבות העממית בישראל," בתוך: ח'מסה ח'מסה ח'מסה: גלגולו של מוטיב באמנות ישראלית עכשווית, קטלוג תערוכה, אוצרים ועורכים שירת-מרים שמיר ועידו נוי, ירושלים: יד ל"א מאיר – המוזיאון לאמנות האסלאם, 2018, עמ' 53-44  (בעברית ובערבית).

באנגלית:

"The Khamsa in the Synagogue: A Meeting of Oppositions? The Evolution of the Khamsa in Judaism and Jewish Folk Culture," in Khamsa Khamsa Khamsa: The Evolution of a Motif in Contemporary Israeli Art, editors and curators: Shirat-Miriam Shamir and Ido Noy, Jerusalem: L.A. Mayer Museum of Islamic Art, pp. 163-169.

 

שלום צבר א) "מעגל החיים [של יהודי בוכרה] במאה התשע-עשרה"         

ב) "הכתובה ביהדות בוכרה – מקורותיה ועיטוריה" בתוך: קהילות ישראל במזרח במאות התשע-עשרה והעשרים: מרכז אסיה – בוכרה ואפגניסטן, בער' זאב לוין, ירושלים: משרד החינוך ומכון בן צבי, ירושלים, עמ' 258-243, ולוחות צבע בין עמ' 273-272.

 

Shalom Sabar, The Sarajevo Haggadah – History & Art. Two volumes - a facsimile of the manuscript and accompanying text volume (304 pages), Sarajevo: National Museum of Bosnia and Herzegovina.

Bosnian Edition: Sarajevska Hagada - Povijest  i  Umjetnost. Two volumes - a facsimile of the manuscript and accompanying text volume (288 pages), Sarajevo: Zemaljski muzej Bosne i Hercegovine.

 

Shalom Sabar, “Concordia Maritale: Storia e Arte della ketubbà a Roma.” In: Antiche ketubbòt romane: I contratti nuziali della Comunità Ebraica di Roma, eds. Olga Melasecchi and Amedeo Spagnoletto, Rome: Museo Ebraico di Roma and Campisano Editore Srl, 2018, pp. 23-42.

English Edition “Concordia Maritale: History and Art of the Ketubah in Rome.” In: Antique Roman Ketubot: The marriage contracts of the Jewish Community of Rome, eds. Olga Melasecchi and Amedeo Spagnoletto (Rome: Museo Ebraico di Roma and Campisano Editore Srl, 2018), pp. 23-42.

 

Shalom Sabar, “The Binding of Isaac in the Work of Moshe Shah Mizraḥi - A Persian-Jewish Folk Artist in Early Twentieth-Century Jerusalem.” In: Iran, Israel and the Jews: Symbiosis and Conflict from the Achaemenids to the Islamic Republic, eds. Aaron Koller and Daniel Tsadik (Eugene, OR: Pickwick Publications and New York: Yeshiva University Center for Israel Studies Series, 2019), pp,  254-286.

 

שלום צבר, "רמברנדט מימין לשמאל," סגולה: מגזין ישראלי להיסטוריה, 109 (תשע"ט), עמ' 49-36.

 

Shalom Sabar,  “The Preservation and Continuation of Sephardi Art in Morocco,” European Judaism, 52/2 (2019): 59–81.

 

 

פרופ' שרית שלו-עיני | Prof. Sarit Shalev-Eyni

 

Shalev-Eyni, S., "Isaac’s Sacrifice: Operation of Word and Image in Ashkenazi Religious Ceremonies," Entangled Religions 11.3 (2020)

 

 

ד"ר סרגיי קרבצוב | Dr. Sergey Kravtsov

 

Sergey Kravtsov, In the Shadow of Empires: Synagogue Architecture in East Central Europe, with preface by Ilia Rodov  (Weimar: Grünberg Verlag, 2018). 294 pages, 100 ills.

 

Sergey Kravtsov, Ilia Rodov, and Małgorzata Stolarska-Fronia, eds., Ukrainian and Jewish Artists of Lemberg/Lwów/Lviv: From Ausgleich to the Holocaust, (Weimar: Grünberg Verlag, 2019), 284 pages.

 

Sergey Kravtsov, “The Jewish Museum in Lviv: Genius Loci and Realpolitik,” in Synagogue and Museum, eds. Katrin Keßler, Ulrich Knufinke, Alexander von Kienlin, and Annette Weber, publications of the Bet Tfila – Research Unit for Jewish Architecture in Europe, vol. 10 (Petersberg: Michael Imhof Verlag, 2018), 101–104.

 

Sergey KravtsovPI and Vladimir LevinPI,  “Synagogues of Rivne: Preserved and Lost,” in Arkhitekturna spadshchyna Volyni [Architectural Heritage of Volhynia], ed. Petro Rychkov (Rivne: National University of Water and Environmental Design, 2019), 35–62.

 

Sergey Kravtsov and Ilia Rodov, “Introduction,” in Ukrainian and Jewish Artists of Lemberg/Lwów/Lviv: From Ausgleich to the Holocaust, Sergey R. Kravtsov, Jerzy Malinowski, and Ilia Rodov eds. (Weimar: Grünberg Verlag, 2019), 7–11.

 

Sergey Kravtsov, “Józef Awin on Jewish Visual Culture,” in Ukrainian and Jewish Artists of Lemberg/Lwów/Lviv: From Ausgleich to the Holocaust, Sergey R. Kravtsov, Ilia Rodov, and Małgorzata Stolarska-Fronia eds. (Weimar: Grünberg Verlag, 2019), 90–101.

 

Sergey Kravtsov, “Much More Than a Guidebook, [a review of] Jewish Heritage in Britain and Ireland: An Architectural Guide [by] Sharman Kadish,” Ars Judaica: The Bar-Ilan Journal of Jewish Art 14 (2018): 154–155.

 

Sergey Kravtsov, “Synagogue Architecture of Latvia between Archeology and Eschatology,” Arts 2019, 8 (3), 99

https://doi.org/10.3390/arts8030099

 

 

פרופ' (אמ') ביאנקה קוחנל | Prof. (em.) Bianca Kühnel

 

Bianca and Gustav Kühnel, THE CHURCH OF THE NATIVITY IN BETHLEHEM: The Crusader Lining of an Early Christian Basilica, Regensburg, Schnell & Steiner, November 2018

https://www.schnell-und-steiner.de/artikel_9320.ahtml

החוג למוסיקולוגיה | Musicology

פרופ' רוני יגר-גרנות | Prof. Roni Granot

 

Granot, R. Is there a prediction network? Meta-analytic evidence for a cortical-subcortical network likely subserving prediction. Neuroscience and biobehavioral reviews. 2019.

 

Siman-Tov, Tali, Roni Y. Granot, Ofir Shany, Neomi Singer, Talma Hendler, and Carlos R. Gordon. 2019. Is there a prediction network? Meta-analytic evidence for a cortical-subcortical network likely subserving prediction. Neuroscience & Biobehavioral Reviews 105:262-275.

 

Shany, Ofir, Neomi Singer, Benjamin Paul Gold, Nori Jacoby, Ricardo Tarrasch, Talma Hendler, and Roni Granot. 2019. Surprise-related activation in the nucleus accumbens interacts with music-induced pleasantness. Social Cognitive and Affective Neuroscience 14 (4):459-470.

 

Amos Boasson & Roni Granot (2019) Short Latency Effects of Auditory Frequency Change on Human Motor Behavior, Auditory Perception & Cognition, 2:1-2, 98-128, DOI: 10.1080/25742442.2019.1698264

 

Bachner-Melman, Rachel, Christian Dina, Ada H. Zohar, Naama Constantini, Elad Lerer, Sarah Hoch, Sara Sella, Lubov Nemanov, Inga Gritsenko, Pesach Lichtenberg, Roni Granot, and Richard P. Ebstein. 2019. Correction: AVPR1a and SLC6A4 Gene Polymorphisms Are Associated with Creative Dance Performance. PLOS Genetics 15 (4):e1008135.

 

Bloch, B., Levin, R., Vadas, L., Shalev, I., Israel, S., Uzefovsky, F., Granot, R., Bachner-Melman, R., Reshef, A., Ebstein, R.P., Kremer, I. .2019. Sex-specific effect of intranasal vasopressin, but not oxytocin, on emotional recognition and perception in schizophrenia patients Israel Journal of Psychiatry  56: 21-25

 

Granot, R., & Shair, N. (2019). The Origin and Power of Music According to the 11th-Century Islamic Philosopher Ibn Sīnā. Journal of the Royal Asiatic Society, 29(4), 585-598. doi:10.1017/S1356186319000178

 

 

 

פרופ' יהואש הירשברג |  Prof. Yehoash Hirshberg

 

Hirshberg, Y., Tragedy and Lieto Fine in Romantic Opera Seria (Brepols Turnhout, 2019)
 

הירשברג, י.,  קסם האופרות של פוצ'יני  הוצאת כרמל, ירושלים2020))
 

 

 

ד"ר יוסי מורי | Dr. Yossie Maurey

 

Yossi Maurey, The Dominican Mass and Office for the Crown of Thorns.  Wissenschaftliche Abhandlungen/ Musicological Studies. Lions Bay, Canada: The Institute of Mediæval Music, 2019.

 

 

פרופ' אדוין סרוסי | Prof. Edwin Seroussi

ר' מנחם די לונזנו – אתנומוסיקולוג, ספר זכרון לפרופ' מאיר בניהו – מחקרים בתלמוד ובהלכה, בתולדות עם ישראל, בקבלה ובמחשבת ישראל, בפיוט, שירה ותפילה מוקדשים לזכרו של הרב פרופ' מאיר בניהו. עורכים משה בר־אשר, יהודה ליבס, משה עסיס ויוסף קפלן, ירושלים: כרמל, תשע"ט, חלק שני, עמ' 620-597.

 

נעמה אביעד, נועם זיצמן, פסקול של מהפכות: השירים שליוו את הטלטלות במדינות ערב בשנים 2010–2015, ירושלים: מינרוה, 2016, בתוך המזרח החדש 57 (2018), עמ' 171-169.

 

'לכתחילה אריבער': גלגולו של ניגון איטלקי אל מסורת חב"ד ואל הפייטנות המזרחית, עונג שבת בעריכת דוד אסף, 14 בספטמבר 2018

http://onegshabbat.blogspot.com/2018/09/blog-post_14.html

 

Ruinas sonoras de la modernidad: La canción popular sefardí en la época post-tradicional. Edición de Susana Asencio Llamas. Madrid: CSIC, 2019.

https://editorial.csic.es/publicaciones/libros/13163/0/ruinas-sonoras-de-la-modernidad-la-cancion-popular.html

 

Borderlines: Essays on Mapping and the Logic of Place, ed. Ruthie Abeliovich and Edwin Seroussi, De Gruyter/Sciendo, 2019.

https://www.degruyter.com/viewbooktoc/product/511168

 

Music, in Studying Hasidism: Sources, Methods, Perspectives, ed. Marcin Wodziński. New Brunswick: Rutgers University Press, 2019, pp. 197-230.

 

On the Borderlines: Introductory Annotations, Boderlines: Essays on Mapping and the Logic of Place, ed. Ruthie Abeliovich and Edwin Seroussi. De Gruyter, 2019, pp. 1-13

https://www.degruyter.com/viewbooktoc/product/511168

 

Ghetto Soundscapes: Venice and Beyond, in Shirat Dvora, ed. Haviva Ishay. Beer-Sheva: Ben Gurion University in the Negev Press, 2019, pp. 157-171.

 

Shamil: Concept, Practice and Reception of a Nigun in Habad Hasidism, Studia Judaica 20 (2018), n. 2, 287–306

http://dx.doi.org/10.4467/24500100STJ.17.013.8248

 

Musical Dilemmas of Early Modern Jews, The Cambridge History of Judaism VII: The Early Modern World, 1500-1815, ed. Jonathan Karp and Adam Sutcliffe. Cambridge University Press, 2018, pp. 717-734.

 

La musique de Cantique des Cantiques, Perspectives – Revue de l’Université Hébraïque de Jerusalem 25 (2018), pp. 181-190.

 

Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz according to Ḥazzan Maier Levi of Esslingen. Edition and Study by Geoffrey Goldberg, Yuval Music Series, no. 12. Jewish Music Research Centre, The Hebrew University, Jerusalem, 2019.

 

The Liturgy of Beta Israel: Music of the Ethiopian Jewish Prayer. Selections and Commentaries by Simha Arom, Frank Alvarez-Pereyre, Shoshana Ben-Dor and Olivier Tourny. Anthology of Music Traditions in Israel, no. 26. Jewish Music Research Centre, The Hebrew University, Jerusalem, 2019.

 

 

פרופ' אסף שלג | Prof. Assaf Shelleg

 

Shelleg, Assaf. "Emblems of Diasporic (Re)turns: Introduction." Hebrew Studies, vol. 60, 2019, p. 191-195. Project MUSE, doi:10.1353/hbr.2019.0018.

Shelleg, Assaf. "Imploding Signifiers: Exilic Jewish Cultures in Art Music in Israel, 1966–1970." Hebrew Studies, vol. 60, 2019, p. 255-291. Project MUSE, doi:10.1353/hbr.2019.0000.

Shelleg, Assaf. Review of Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism, by Jeffrey A. Summit. Notes, vol. 74 no. 4, 2018, p. 614-617. Project MUSE, doi:10.1353/not.2018.0038.

Shelleg, A., Teaching Twentieth-and Twenty-First-Century Art Music in Israel. ANKLAENGE 2018. 2020.

 

 

פרופ' (אמ') נפתלי וגנר | Prof. (em.) Naphtali Wagner

 

נפתלי וגנר. מוזיקה קטלנית: המוזיקה בעיני הסיפורת. ירושלים: מגנס, תשע"ח, 2018 (530 עמודים)

החוג ללימודי התאטרון | Theatre Studies

ד"ר דיאגו רוטמן | Dr. Diego Rotman

 

2019, Diego Rotman, “Danzando con los muertos: Posesión y nacionalismo en el film-performance Der Dibuk 1937- 2017”, in El dibuk - Entre dos mundos. Un siglo de metáforas, edited by Susana Skura and Melina Di Miro, San Salvador de Jujuy: Editorial de la Universidad Nacional de Jujuy, pp. 177-198.

 

2019, Diego Rotman and Eytan Shouker, “Building and Developing HaMesila Park: From Resistance to Collaboration”. In Understanding Campus-Community Partnerships in Conflict Zones, edited by Markovich Dalia Yafa, Golan Daphna, Shalhoub-Kevorkian Nadera. Cham: Palgrave Macmillan, pp. 117-156.

 

2019, Diego Rotman, The Fragile Boundaries of Paradise: On The Paradise Inn Resort at the the Former Jerusalem Leprosarium”, Borderlines: Essays on Mapping and The Logic of Place, edited by Edwin Seroussi & Ruthie Abeliovich, Warsaw: De Gruytter Press, pp. 160-173.

 

Rotman, D., The Fragile Boundaries of Paradise: The Paradise Inn Resort at the Former Jerusalem Leprosarium. Borderlines: Essays on Mapping and The Logic of Place. 2019.

 

Rotman, D., Performing Homeland in Post-Vernacular Times: Dzigan and Shumacher’s Yiddish Theater after the Holocaust. Spiritual Homelands. 2019.

התכנית בפולקלור ותרבות עממית | Folklore and Folk Cultural Studies

פרופ' (אמ') גלית חזן-רוקם | Prof. (em.) Galit Hasan-Rokem

 

גלית חזן-רוקם, "קינת אימהות על חורבות ירושלים: מחוות בצוע במגילת איכה ובמדרשים עליה". מכאן יט "קינה ומלנכוליה" (2019), עמ' 59-83

 

Galit Hasan-Rokem, "Folklore in Antiquity”, Humanities 2018, 7(2), 47

http://dx.doi.org/10.3390/h7020047

 

Galit Hasan-Rokem, “‘A Time to Weep and a Time to Laugh’: Swinging Between the Comic and the Tragic in Folk Narratives.” Terra Ridens – Terra Narrans. Festschrift zum 65. Geburtstag von Ulrich Marzolph. Hrsg Regina F. Bendix und Dorothy Noyes. Dortmund: Verlag für Orientkunde 2018, vol. 1, pp. 149-167.

 

Galit Hasan-Rokem, “Iran 1972 Revisited in Memories/or: In the Footsteps of the Deer.” Iran, Israel and the Jews. Eds Aaron Koller, Daniel Tsadik and Steven Fine. Eugene OR: Wipf and Stock publishers 2019, pp. 212-230.

 

Galit Hasan-Rokem, “Folk Narratives”, in Marcin Wodziński (ed.), Studying Hasidism: Sources, Methods, Perspectives. New Brunswick: Rutgers University Press, 2019, pp. 123-147 (with Shaul Magid). 

 

Galit Hasan-Rokem, “Israeli Political Humor: What was there to laugh about in 1967?” Contexts of Folklore. Festschrift for Dan Ben-Amos, edited by Simon J. Bronner and Wolfgang Mieder. New York: Peter Lang 2019, pp. 71-86 (with Regina F. Bendix).